Biography of Giovanni Pierluzhi

The founder of the Roman school. At the end of the X - beginning of the x. Mallapert and F. B - Gg. From G. for merits to the Vatican Pope Pius IV pontificate - he honored it in the city of epitaph at the unheard of burial in St. Peter's Council of St. Peter's Council for a stable tradition to call Pacelsrine “Princeps Musicae” - “Prince of Music”. One of the most prolific church composers in the history of music, although he remained a layman.

He owns no less masses, including eleven 4-6-headed, created by the Duke of Gullylmo Gonzagi, among the works on the texts of opheremes: 68 offerstorias, over 70 hymns for the holidays of the entire church year, 35 magnifications, 11 litanias, 4 collections “with a crying prophet of Jeremiah”. Pacelsrina is the author of more than mothers and over Madrigalov on the texts of secular and spiritual poetry, the last, exclusively 5-vague, are called spiritual Madrigals-Madrigali Spirituali.

In relation to 80 works, including 10 messages, the authorship of Pacelsrina is disputed. Pacelsrina's music is a classic sample of strict style in polyphony in the system of musical education of a number of Western countries now there is a standard “Pacelrine style” course. The main feature of his work as a whole is the observance of the measure in everything, from the interaction of music and the words to individual techniques of the composition: the balance of the melodic movement and rhythm, thorough control of the use of consonance and dissonance, the alternation of the simulation and monotmal old -brain types of presentation, moderate “loading” with polyphonic technique and musical rhetorics, etc.

Such an aesthetic installation is explained “Total Harmony”, dominated by Pacelrina’s music, and at the same time the lack of clearly expressed experiments in a musical language and form, the spirit of innovation. About half of Pacelrina’s masses are written in a parody of the own and borrowed polyphonic models of the Franco-Flamant, Spanish, rarely Italian, including K. Rishafora, F.

Verdelo, Jacques Mantuansky, Ch. A significant part of the mass was created on a liturgical, less often a marked cantus firmus; Several mass-t. The most famous is the Mass of Pope Marcello, free, 6-voted, mainly in the monotmic texture. The reason for its creation was allegedly the congress of papal musicians, at which Pope Marcellus II demanded from the composers the maximum intelligibility of the prayer in music, accompanying the worship of a passionate week.

The story that this mass, executed before the delegates, supposedly “saved” church music from the official ban on polyphony, is a later fiction. The often executed also includes the Messes of “Assumpta Est Maria” “Maria ascended [to heaven],“ Aeterna Christi munera ”“ Eternal Christs Gifts ”, Missa Brevis Brief Mass. Pacelrine's cells mainly 4-6-voted. A significant number of motors is written for 2 and 3 choirs, including two by 8 and 12 votes - on the text “Stabat Mater”.

Samples of the motive style of that time are all 29 motifs of the 4th book composed of songs with a song with dedication to Pope Gregory XIII, in which the composer condemns his colleagues for the desire to write about carnal love, laments about his own sinful preferences in the past and, finally, sets out the “correct” Christian understanding of the famous indigenousness of the Old Testament text, as well as also “Super Flumina Babylonis” “On the Babylonian rivers” and “Tu Es Petrus” “You are Pyotr”.

Of the secular Madrigals, Paclesrins already gained the fame of “Io Son Ferito” “I am wounded” and especially the Madrigal “Vestiva I Colli” “[Spring] dressed up the hills [and fields]”, which was repeatedly processed by other composers of intaburation, variations, Messa Parody and others. Pacelrina. Missa Papae Marcelli. Dutch chamber choir, conductor F.