Writer Lichutin Biography

XIX century. Vladimir Lichutin. Lichutin Vladimir Vladimirovich r. Born in Mezen of the Arkhangelsk region in the teacher of the teacher. The father died at the front during the Great Patriotic War. Mother, a "military widow", brought up one four children. Despite the unaware and hunger, the boy did not feel unhappy, for he grew up on the ground, among the magnificent northern nature, comprehending its attractive power.

From childhood, Lichutin had a special artistic memory, attention to the folk, ritual side of life. Lichutin's family belonged to the old Pomeranian family of hunters and fishermen. One of his ancestors was a feeder in the first Russian expedition P. The birth memory of the ancestors was one of the motives of Lichutin's work. After graduating from a forestry technical school, military service, work in factories in Leningrad enters the Faculty of Journalism of Leningrad University.

After graduation, he arrives in Arkhangelsk, where he first works as a local radio correspondent, and then in the regional newspaper Pravda North. Working in the newspaper, Lychutin writes essays about contemporaries - Mezensky bakery, blacksmiths from Vozhegra, about the storyteller M. Krivopolenova, about the writer S. Pisakhov, about the Archangel local historian K. The theme of his publications is very diverse, but it constantly feels interest in history, ethnography, folklore and literature of the north.

In E Lichutin takes part in the folklore expedition of the Pushkin House in Pomorie under the leadership of prof. The action in the story unfolds in the Pomeranian village of Vazitsy on the eve of the “great turning point” in however, Lichutin does not go into sociological problems, representing the life of his heroes in the complex interweaving of labor and family interests.

In real events associated with Pomeranian fishing, household quarrels, relations with the Soviet government in the village oppressing the men, folk legends, fairy tales, extraordinary stories, signs, and sayings are woven. This folklore-fantastic layer, along with bizarre memories and dreams of characters, makes up a special magic field in which its heroes find comfort and beauty.

The double reality, in which the heroes of Lychutin are located, allows their souls not only to realize in the present, but also to join the tribal, national memory, to break through the difficulties and the bustle of the existing to the highest spiritual source. Caring for the soul is the main duty of the heroes of Lichutin. In the “White Chamber”, romantic, ethnographic, and socio-historical trends were intertwined.

In E, the novels “Iona and Alexander”, “Processed Wedding” both - “soul burns”, “grandmothers and uncles”, “golden bottom”, everything, “winged Seraphim”, “widow of Nyura” both - the first historical novel of Lychutin “Long Rest” appears in the stories of Lichutin as a chronicle of Pomeranian life, he reproduces a special The bizarre life of two northern villages is Vazitsy and Kuchema.

This life, slow and strange, is weighted by everyday life, memories, thoughts of characters. It develops whimsical and unpredictably. Lichutin specifically limits the space of a poetic study of the world, trying to achieve deep, hidden roots and connections in order to somehow explain the moral suffering of some heroes, the gloomy detachment of others, the bright joyful faith of the third.

Lichutin sees the fatal predetermination of the human fate in a hereditary birth experience, from the grave consequences of which only the work of the soul, the desire for spiritual transformation can save the personality. Lichutin pays particular attention to the issues of faith, showing how strangely combined in the Russian national character Orthodoxy, paganism, Old Believers and communism.

According to Lichutin, “once Rusich was a double-level, but a sedative Marxism climbed into this crevice and tore our soul into three parts, having driven Christian, peaceful, heavenly into the very darkness of our nature, and paganism suppressing atheism.” Criticism of K. The ability to recreate a peasant character, an original personality, a bright portrait brought the work of Lichutin closer to the work of V.

Astafyev and V. Belov, a picturesque household of truth, with an almost complete absence of a social context - with the work of F. Abramov, an artistic understanding of death and generic memory - with the work of V. Cognition of life over social and moral-philosophical. For Lichutin, the word is the only life -giving force that “without any tear and feverish sweat” gives rise to the element of images, which develops independently, according to its own laws.

Lichutin is a writer of an intuitive warehouse, organic talent, bewitching the reader with sound rhythm and poetic vocabulary. Kim, V. Makanin, V. Krupin and others. With this direction, Lychutin was brought together by the intelligent hero Timofei Lanin from the novel “Winged Seraphim” and others. Kim, “Living Water” by V. Krupin, “Baptist” by V.In the “last sorcerer” for the first time in Lichutin’s work, special types of seekers of spiritual truth, justice, owners of “heart vision” are the chronicler Theophan Solntsev and called the last sorcerer of Gelasius Nechaev.

They are trying to understand the meaning of the ongoing destruction in traditional rural life, addressing their questions to both the past and moral absorbers. In the story there is an allegory, a parable, a symbol that give the narrative a generalized-philosophical shade. The novel “Pharmazon”, in the center of which is the image of a terrible person, the fratricake of Mishka, who returned to the place of a long crime, concludes the Chronicle of the Pomeranian Village, in the center of the Pomeranian village.

In the story “Home Philosopher”, the author says goodbye to the inhabitants of the northern villages. The action takes place already on the shores of the Southern, Black Sea. Lychutin himself called the story “The History of the Two Egoists”, the Banykin’s spouses are in quarrels and the unreasonable hostility: “He lives the idea of ​​his own immortality, she is unusual love. Two random people in a constant, hopeless conflict with each other.

” The story created in the genre of “intellectual prose” is characterized by complex style ambiguity, strengthening the role of grotesque and parables. The new historical novel “The Wandleys” appears in the press, which, together with the novel, “Long Rest” is a dilius. The main character of the novel - Donat Bogoshkov, wandering around his native land in search of the earthly paradise - peasant whitewater, suffers terrible deprivations and disasters.

Despite the fact that the novel "Wanderers" reproduces the spiritual life of the Russian peasant in the 19th century. The novel “Loveostai” continues the “city” theme in the work of Lichutin. He is dedicated to the fate of the "fashionable" writer Burnashov, who worships "only the mother of the damp earth and his people." Following these beliefs, he lives in the village, marries a peasant daughter, but cannot gain peace, concentration, wisdom and humility.

His soul is in the hands of the devil-lurgery, which destroys his family, punishes the death of his child, torments to the grave board and the hero himself. Lichutin deepens into the study of the history of the Russian split of the XVII century. Book 1 - “Veasure of the Kingdom” - Book 2 - “The Crown Path” - appeared in the press in - book 3 - “Ascension” - in essays, thoughts, portraits ”,“ The soul inexplicable: Reflections on the Russian people ”,“ The chain of invisible ”both - journalisms are, as it were, a continuation of the artistic work of Lichutin.

The writer seeks to remind his contemporary about the ancestors, of the national memory: “I am not leading the funeral, having a past with a bitter feeling, and it is not at all to return the former Rus' with its ancient pre -Petrine charter, when the fate of the people was dedicated to God: not to live that Rus', we can’t drink that fault; But, peering into the preosure, I want to permanently take care of the skeptics with their grin and accept domestic tradition as it took place in all of the delete and drama ...

”T. Vakhitova used the materials of the site a large encyclopedia of the Russian people. Lichutin Vladimir Vladimirovich [Lychutin was born in the teacher of the teacher, his father died at the front during the Great Patriotic War. The Lichutin family belonged to the old Pomeranian family of hunters and fishermen. After graduating from a forestry technical school, military service, work in factories in Leningrad enters the Faculty of Journalism of LSU.

The topic of its publication is very diverse, but it constantly feels interest in history, ethnography, folklore and the literature of the North. In E Lichutin, he takes part in the folklore expedition of the Pushkin house in Pomoria under the leadership of Professor P. Vazitsa on the eve of the “great turning point” in as noted by I. Brazhnin, “Lichutin is not easy, selfless, not connected by the hands and feet of traditionalism, he is interesting” by Aurora.

Lichutin specifically limits the space of a poetic study of the world, trying to achieve deep, hidden roots and connections in order to somehow explain the moral suffering of some heroes, the gloomy detachment of others, the bright, joyful faith of the third. Lichutin pays particular attention to the issues of faith, showing how strangely combined in the Russian national character Orthodoxy, paganism, Old Believers and communism.

According to Lichutin, “once Rusich was a dual-up, but a sedative Marxism climbed into this crevice and tore our soul into three parts, having driven Christian, peace-loving, heavenly into the very darkness of our nature, and paganism with an atheism” a word. Criticism of the end of X - beginning X believed that Lichutin’s work is developing in the line of “rustic prose”.

For Lichutin, the word is the only life -giving force that “without any tear and feverish sweat” gives rise to the element of images, which develops independently, according to its own laws. When reading Lichutin, “the meaning of obvious things begins to slip away, and instead of a weak heart, ghostly secrets are revealed, a certain otherworldly observation is given, deceived, as, however, deceived, ghostly all through true art” Afanasyev A.On the other hand, Lichutin’s work was simultaneously classified as the prose of the Moscow School, generations of “forty -year -olds” A.

Lichutin brings this direction the intelligent hero Timofei Laja from the novel “Winged Seraphim”, etc. They try to understand the meaning of the destruction in traditional rustic life, addressing their questions, both to the past and moral absorbers. An allegory, a parable, a symbol appear in the story, which give the narrative a generalized-philosophical shade. And I wanted to show one of the modern “demons”, to understand how in our reality they could arise this novel about “pharmacon cabbage soup”, which now takes the most incredible forms, more than complex, absurd, sometimes excluding all logic.

” Some researchers associate the evolution of Lichutin's work with the writer's complex relations to the Old Believers N. his soul is in the hands of the devil-Biboy, who destroys his family, punishes the death of his child, torments to the grave board and the writer himself. Lichutin deepens into the study of the history of the Russian church and political split of the 17th century.

Book 1 - “Veasure of the Kingdom” - came out in, book 2 - “Crown Path” - appeared in the press in as always after immersion in history, Lichutin again addresses the present in the novel “Myledia Rotman”