Biography of the Rostotsky director
Photo all Stanislav Rostotsky - biography of Stanislav Rostotsky - Soviet filmmaker, actor, director, director and screenwriter. The works of the Soviet director Stanislav Rostotsky are well known to domestic and foreign spectators. The master did not succeed in becoming the owner of the cherished Oscar figurine, nevertheless, he gained truly popular love among millions of cinema lovers.
Childhood and youth, the famous screenwriter was born on April 21 in the city of Rybinsk, Yaroslavl region. Stasik was the third child in the family of Dr. Joseph Boleslavovich and tailors Lidia Karlovna. The early years of the boy took place in the village with relatives, where he was accustomed to work. When the father was offered work in the capital, the whole family followed him.
The early biography of Stanislav was associated with the difficult living conditions: the country was restored after military-political upheavals, food and elementary household goods were catastrophically lacked. As in the millions of Soviet families, younger children knocked their clothes behind the elders, and this was in the order of things. Since childhood, Parenek tried to appreciate the life of what it is - with all the difficulties and adversities.
Stanislav Rostotsky in his youth at first Rostotsky lived in a communal apartment, where they allocated one single room on five. The dreamer of a young man appeared at the age of five, after watching the painting “The Bainstock Potemkin” of the legendary director Sergei Eisenstein. In adolescence, Stas starred in a propaganda short film dedicated to the opening of the X Komsomol congress in the Kremlin.
After that, they began to recognize the young man and even pass to film screenings without a ticket. Soon, the young artist was invited to the mass of the film "Bezhin meadow" to the shooting of the movie. During his work, he got the opportunity to get to know the creator better and plunge into the world on the other side of the film chamber. In one of the conversations with Eisenstein, the young man admitted that he dreams of becoming the same brilliant director.
Gradually, Rostotsky found in the person of Sergei Mikhailovich a mentor and friend who devoted him to the intricacies of directorial skills. On the advice of the senior comrade, Stanislav began reading books on art and history, thus expanding his horizons. After graduating from a comprehensive school, the young man was preparing for an draft in the army. Yesterday, the schoolboy wanted to enter VGIK, but by the beginning of the entrance exams he did not have time.
The future director submitted documents to IFLI to the faculty of art history, and later planned to become a student at the Institute of Cinematography. The war intervened in a dream of a bright future. University students and teachers were evacuated in Turkmenistan, and a year later Rostotsky went to the front. The young man from the intelligent family first encountered the horrors of war, who left deep wounds in his soul.
Later, the events of those years will be reflected in the creative activity of the film director. The movie after the injury received in one of the battles, Stanislav lost his leg. Returning home, the soldier resumed his studies, entering the director's department of VGIK to the mentor Grigory Kozintsev. For seven years, the novice director mastered the profession that he had dreamed of since childhood.
At the same time, with his studies, the student began to earn extra money as an assistant director at the Lenfilm film studio. Rostotsky received invaluable knowledge and a good recommendation from Eisenstein, which became his pass to the amazing world of cinema. At the beginning of X, the guy presented several independent works, which the audience met very favorably. In his works, the young director described the life of ordinary workers who restore a huge country after the war.
Stanislav Rostotsky on the set of one of the first projects of the screenwriter - “Earth and People” - did not go out into the rental immediately. The fact is that the manuscript prohibited for publication was based on the basis of the film, telling about the realities of rural life. On the artistic council, it was decided to ban the tape for show, and the creator himself was accused of counter -revolutionary propaganda.
The audience saw this work only after the XX Congress of the party. In M, I saw the light of the film “It was in Penkov”, which brought the author the third prize of the All -Union Film Festival held in Kyiv. Especially for this picture, the composition “There are so many golden lights ...” talentedly performed by Lyudmila Zykina and Ekaterina Semenkina. Soon, the director introduced the Dilogy “Hero of our time”, which has become popular both in the USSR and abroad.
The film adaptation of the work of Mikhail Lermontov was sent to the XI film festival in San Sebastian, where she was awarded with an honorary diploma. One of the most iconic projects of the master was the film “We will live until Monday”, which saw the light of the year. This work laid the foundation for the development of youth cinema. The time was allocated for the shooting, and the team made maximum efforts to hand over the project on time.
The novelty was timed to the prime minister to the All -Union Congress of Teachers, but almost no one believed in the success of the tape. Contrary to skeptical forecasts, the picture caused a real splash among spectators and film critics.Stanislav Rostotsky during the filming of the Zori here is quiet ”the most sign work in the creative biography of the director was the military drama“ And the dawns here are quiet ”, shot according to the work of Boris Vasiliev.
The story of the tragic fate of girls during the Great Patriotic War pierced the hearts of millions of viewers. The two -part tape took part in a number of international festivals and became the Oscar Award. The script for the film is based on the author’s personal memories. In one of the battles of Stanislav Iosifovich, Anya Chugunova saved the nurse from the death of the nurse, who literally carried him out of the battlefield.
The war did not regret the Savior itself-due to the injury received, she began to lose her eyesight. Director Stanislav Rostotsky Soviet spectators well remembers the piercing drama “White Bim Black Ear”, who conquered the hearts of several generations. After the premiere, the tape entered the rating of the best projects of the year of publication "Soviet screen". At the festival in Karlovy Vary, the work was awarded the "Crystal Globe", and later it was nominated for the Oscar Award in the category "Best Picture in a Foreign Language".
They may be familiar.