Biography of Y Mironov

He took an active part in the formation of Russian unofficial art. His work is a whole era, a huge cultural layer, which the expert of the Tretyakov Gallery Stanislav Ivanitsky designated as “lyrical abstract expressionism” x. The fate of the artist is largely a sign for artists of the late Soviet era. At first, the complete cultural vacuum and the crisis of the healing of the summer graduate of the Institute of Electronic Engineering, then “a series of cases”, acquaintance with artists, the smell of colors, the atmosphere of creativity, and now, in one of the workshops then the village of Maryino, a complete degeneration occurs: for Yuri, the whole previous scientific and technical activity suddenly ends and life begins only for creativity.

The artist’s paintings are hypnotized, evoke a somnambulic trance. How can the master inspire others with his mood captured on canvas? It is not enough to say that Yuri Mironov is simply endowed with this rare shamanistic gift. Of course, the ability to see the essence of the “thing in yourself” is a necessary condition for creativity. And a sufficient condition, and in it the whole essence is such a possession of the form, so that the mood depicted outside plunges into an inexpressible internal state.

To cope with the form means to break through to the content, through the steps of the manner to achieve the honey of the secret. The compositional flair, and rhyme lines, and color arrangement are significant here. Only through the self -focus of the form this or that general and state of personal existence, depicted in the picture, manifests itself as the essence of the world and man, this is the manifestation of the deity itself.

The art of Yuri Mironov is always very lively, sincere, always real and paradoxical. In it, jazz improvisations are successfully combined with medieval picturesque rhythms and precisely verified compositions. Not forced hypnotization of the viewer, but the Lermontovskoye “The night is quiet, the desert heeds God, and the star with a star speaks” - this is the essential and moral orientation of his work.

Therefore, his picture gently enters the soul, sets it up, leads to itself lovingly to her own deep states. When contemplating the works of Yuri Mironov and the immersion in them, the viewer is not subordinate to someone else's creative will, but ascending to himself, the rise of his own personality. The work of Yuri Mironov does not enslave, but frees people. His paintings provokes a breakthrough to freedom.

Many artists are completely at a loss and ignorance of their creative path. Salvation came from Malaya Gruzinskaya, where it became possible to exhibit all members of the Moscow United Committee of Artists-Artists from a year. It was a time of absolute sincerity, completely devoid of the conjecture. The beloved artist of that period is Vermoer Delft with his impeccable rhythmic relations of shape and color.

The artist listened to jazz from the age of 14 and improvisation became the basis for what he did. In his compositions, it all starts from a point of an indefinite spot, from which the artist as a demiurge should pull himself and show the world something hidden, a certain magical secret. From the year, together with L. Talochkin, V. Zatorov and A. Kharitonov, Yu. Mironov joins the group of reformists of “twenty Moscow artists”.

Exhibitions of this group begin to visit various famous musicians, journalists, cultural figures. Vladimir Vysotsky, who lived in the same house where the charts were located, visited the second exhibition “Twenty”. In the same year, a concert of the Time Machine Group took place in the Malaya Georgian premises. Regular participation as a composer of electronic music in the annual spring exhibitions “Twenty Moscow Artists” is accepted by Mikhail Chekalin.

It was a victory, triumph, international recognition. The English -language newspaper "International Herald Tribun" from April in April