Natalia Furaeva Biography

She is equally convincing as the main character, and as a subrete, and in comedy stories, and in musicals, and in children's fairy tales. On the eve of the International Theater Day, which is celebrated on March 27, Natalia was awarded the title "Honorary Worker of Culture of the Ivanovo Region". Today, the actress at a party played Schiller and Shakespeare, but I wanted to sing - do you remember the first performance that you saw in life?

And your first exit to the stage and sensations experienced then? I saw a “bat” with Larisa Udovichenko and fell ill with Adeli's role. Then just as strong. I cried because I felt: I would play, but I could not wait. I graduated from the Yaroslavl Theater Institute, becoming a professional actress of the Drama and Cinema Theater. But I lacked music - I wanted to sing, I felt that I was simply not without it.

Natalya Furaeva-vocalist artist, leading master of the stage of the Ivanovo Muztera, an honorary worker of culture of the Ivanovo region. Laureate of the Odessa International Competition, year, laureate of the regional theater award named after Pedantov. In the year with a red diploma she graduated from the Yaroslavl Theater Institute. From the software-actress of the Kostroma drama theater, with the according to the soloist-vocalist of the Kostroma Philharmonic, the musical theater.

With GO-soloist-vocalist of the Ivanovo Muztera. Having served in the Kostroma drama five years side by side with real professionals, I learned a lot. In the drama theater, you can’t hide behind the genius of the composer, you are primarily to help your talent, skill and, of course, Shakespeare, Schiller, Ostrovsky Tonya Chumakova in the play "White Acacia". But his voice called, and there was music ahead.

I was accepted by the musical theater on the basis of the Kostroma Philharmonic. My parents are doctors, but very musical people: I remember how mom and dad participated in an amateur choir. They had very good voices. Mom always sang at home, especially when she washed dishes or did household chores. I will never forget that I became absolutely happy, listening to her singing.

Silva and Nadoyukha are related souls - what, in your opinion, is acting? What is the magic and attractiveness of the theater?

He came to the theater with an ordinary person, like everyone else, but left with a singing soul. And not just left, but changed his life for the better, I realized what compassion, sacrifice, love are. Theater is a magical art. The actor is subject to change space and time, immerse us in another reality, make you cry or laugh, distract from the cargo of their problems and dissolve in the hero’s experiences.

For me personally, the attractiveness of the theater is the opportunity to become another person on stage with my character, habits, fate. I cherish moments when the image of my heroine begins to manifest itself more clearly and live their life. It is interesting to watch her, as it were, from the side, even learn something from her. Whose assessment of your work on the stage is important?

But finally, I understand everything when I see the record of my speech, from that moment the second stage of work on the role begins. How perfectly everything is visible from the side! I look and understand: what's so, not. They are beautiful in their own way. Everyone has something to learn: forgiveness, the ability to love, sensitivity, sincerity. So I think they are very similar.

Just Silva is the star of the orphemus, and Nadia is a simple village woman. The only difference is that they were from different social layers and lived at different times. And the souls are related. I know that you very seriously approached this role, almost in Stanislavsky. Tell us, if not a secret, to our readers, how is work being done on the embodiment of the image?

In the process of work, I was sometimes in contradiction between the mind and heart, but now the image of my milady has become clear to me, there was a grinding, the run of the performance, where it would already be possible to work on the integrity of the role. And there is one question: I have not yet decided yet, I will justify my heroine or not. How do you feel about this? Which genres are closer to you and what?

There are very talented among them, they are pleasant to fulfill them a musical or operetta - it is not so important. You know, I closer to me, where "there is the life of the human spirit", where there is work for the soul. Roles where everything is easy and united, seem boring to me. What type of relaxation do you prefer? Is there a hobby? And, most importantly, what is your recipe for happiness?

But I do the opposite. I do not consider my work to work, I consider it a meaning. I never wanted anything else. I belong to the theater, apparently, a one-lover, and therefore I have nothing to relax from. I do not work, but I love! Maybe this is the recipe for happiness. Dear viewer! I love you! Each artist, all theater workers serve for you, go on stage, create only for you! Low bow and gratitude for the fact that you are, that you know how to love, violently express your delight, sink us with attention, flowers, gifts.

Together we give birth to this beautiful creative moment - a moment when the theater scene turns into a ballroom, a village court or count of ruins, when an artist becomes a completely different person, a new life lives under your sensitive look.Without you, dear viewer, there would be neither theater nor artists!