Valeria Lomakina Biography

The podcasts “I am the one you need” in the youth of Valery Lomakin believed that she had a personality breakdown - at the same time she wanted everything at once. Now she is used to her frantic energy, which allows her to do what she wants, and even receive money for it. Valery Lomakin: "Dad decided that I should become a policeman." The premiere of her clip “Mom will not teach the bad” estimated more than 10 thousand people.

At the end of summer, she tried to change the location and go to Moscow to study at the Academy of Cinema and theater Nikita Mikhalkov. I didn’t go away, but it did not discourage her - now she herself is trying herself as a director. She sings in a restaurant, composes songs, releases albums and clips. Right now it puts a performance that will unite the actors of different theaters.

All this is checked personally or saw from the outside? My parents did not see me such a future, but their influence on me was very strong and did not leave the right to my own choice in childhood. So everything came together. I thought that the spinners that the character twisted would be attached directly to the chest, but the director said that for such things we threaten from 3 to 15 years, so we decided to live at large and sewed the girls with modest long nighties to be decent.

Valery Lomakin: "We decided to still live at large." So that there was a little cadaveric face - we selected the color, such a little bruises under the eyes, a pale face, it seemed to me that we did it. I cried, explained that the service in the police is completely not mine, but the resistance was useless. It seemed to me that my further life would be connected with creativity-otherwise why did I then engage in singing, dancing, playing musical instruments, ballet and drawing?

When I realized that I have been selected from me now, I decided to do as a true coward - just to escape. Valery Lomakin: "I decided to do as a true coward and escaped." Found them in Petrozavodsk. At first I entered the college of culture, but there I did not work out with the teachers. I wanted to find everything a person who could give me a good base for creativity, devote to profession.

And I found him in the person of Alexander Lazarevich, the coastal director of the Drama Theater “Creative Workshop” and the head of the acting course, who became my master later, in the conservatory. As a tick, I clung to it and still do not let go. I myself like to observe the actors who do not just say the text, namely at this moment they solve their problems on the stage, get out of pain or share happiness.

Then this, I think, will fall into the viewer. As an example, I can refer to the game of McConachis in the film "Dallas Club of Buyers." At some point, I see that the actor does not play anything at all, that all this happens for real. Now I feel like an absolutely happy person because I am free. And in childhood there was a huge amount of energy, which my body physically could not cope.

Everything “hit” everything: abandoned dogs, sick children, I constantly achieved something, screamed. She took life close to her heart and did not know how to deal with it at all. My parents took my echo for decaying. Dad constantly tried to gather me in a heap, but the rules that were already adopted in society and in our family were not perceived at all.

Valery Lomakin: "I want the actors to live, not to play." It seemed to me that this was just some kind of concentration camp. And I said to the whole class: “Guys, we will sit down these 10 years, and then we will go free, and life will begin there.” It was very difficult to exist in the system. And when I am playing “about my mother and about me,” I show some nasty of this girl ...

It is generally very difficult for such people to find themselves, it is difficult to understand, it’s hard to interact with them. Yes, this story is partly about me: for a long time I could not find myself and choose a language to speak with the world. I don’t know why in our schools everything is still based on a subject study of the world, where every discipline has nothing to do with our life.

I do not remember anything from school, except for OBZh. When we were told how to survive in the forest, it really needed it. We understood that if we do not go to OBZh, someday we will get lost and die. If you do only appearance, then one day a difficult moment comes when you need to accept your old age. It may be a shock. For example, I never fell in love with people because of their winning external data.

I am more captivated when a person is busy with business. I really love active men. Valery Lomakina: "OBZh is the main subject at school." What are you doing with them? My task is to open my eyes to what a person is, and teach him not to be afraid of himself. I will immediately begin to pester that I, in this given, should see. Not everyone needs such meticulousness: “Lord, look in the distance as you want, we need to just be a beautiful picture, and we will eat around you.” I thought that I would meet this year with Nikita Mikhalkov and became his student.

But our acquaintance was not very successful. We practically did not talk.Basically, I said, I wanted to tell him faster that I am the one that he had been waiting for his whole life. It seems to me that I just scared him with this hard pressure. Moreover, he told him that I would like to engage in directing and I have the hope that we will make a movie. Я очень уважаю его как режиссера за фильмы «Свой среди чужих…» и «Несколько дней из жизни Обломова».

But I believe that a person costs as much as he did, minus vanity. It is not very interesting when a person is always engaged in the collection of emotional tribute: bow to me, kiss your hand - and behaves like a master. Maybe for the better that I did not enter him to study. I looked at two of his graduation performances, and there was everything that I simply categorically did not accept in the theater: Moscow pauses, meaningfulness and pathos.

It seems to me that the theater should now be as lively as possible and by the method of influence to approach the cinema. Valery Lomakin: "A person costs as much as he did, minus vanity." His film "Fool" made a powerful impression on me. Inside, it was already shook how cool the story is. Moreover, it seemed to me at first that it would be such a little “balaban”, Chernukha-Chernukh, but the hero still gives some hope that the world would not fall apart until there are such people.

Maybe Kirill Serebrennikov is still interested in me. Well, I think he is interesting to everyone now. Like the sense of humor of Vasily Sigarev. We have good directors! That it is impossible to do anything here. But in fact, who does not want to do anything, he is bad everywhere. And in Moscow he is not very good, and in New York somehow is not so. People think that they should move to another place, everything will work out.

Of course not. I want a lot, but now I have no panic: “What to do? Where is my world popularity? Time goes on, Lord, I'm already 30 years old! And where I do this: in the village or "Olympic" - it does not matter, the main thing is that there are people nearby who can inspire you. By the way, here I can say about one musician, Sima Rynkevich from the Sima group, which inspires me very much, I would like to include her songs in my future performances.

Valeria Lomakina: "I am 30 years old, and I am not panic." Work in a restaurant is a sublimation of energy for me - sexy. She is, she is a lot. And if I do not learn how to give it out, splash through huge buckets to the public, exchange energy with people, then in my personal plan it will be harder for me to live. All that I do, I cannot call work. I just do what I like, and I still pay money for this.

And they work, I think, people who have not found themselves in this life. They have to work, overpower themselves. I can't do that. Valeria Lomakina: "Those who have not found themselves in life go to work." This property of the psyche. I even thought that something was wrong with me that I was unhealthy, that I have a personality split. Yes, I want to engage in directing, singing, and acting.

I think that this can be done, to take place in one life. But I do not need at all that people come to me on the street and praise me. It happens.